Monday, 25 March 2013

Sir George Goldie ( 20 May 1846 - 20 August 1925)

Sir George Dashwood Taubman Goldie Facts:

The British trader and empire builder Sir George Dashwood Taubman Goldie (1846-1925) created the Royal Niger Company, which secured British claims to the lower Niger and Northern Nigeria.
The son of the Speaker of the Manx Parliament, George Goldie was born on the Isle of Man. His family were influential landowners on the island. The family name was Taubman, but Goldie adopted his mother's family name when he was knighted in 1887.

In the 1860s Goldie trained as a royal engineer at Woolwich but afterward used a legacy to visit Egypt, where he took an Arab mistress. He went to the Sudan, living an idyllic and isolated life for 3 years, learning Arabic and reading extensively in African travel literature. He also met Hausa pilgrims from Nigeria and began studying that country.

Returning to England, Goldie ran away to Paris with the family governess, Mathilda Elliot, and they were caught in the Prussian siege of 1870 and were married in July 1871. Goldie's escapades and an avowed atheism cut him off from an official career and the highest circles of Victorian society.

In 1875 the Taubman family purchased a near-bankrupt firm which traded on the Niger River. Goldie was given the task of putting its affairs in order and visited the Niger for the first time. He concluded that over competition was ruining all the British firms on the river, and he set out to create a single monopolistic organization. By 1879 he had succeeded in amalgamating the British firms into the United African Company but thereafter had to face competition from the Africans and French.
Goldie then decided to secure administrative rights by treaty from Africans to establish his company as a government which could exclude competitors by administrative measures. In 1882 he formed the National African Company for this purpose and began treaty making. By 1884 Goldie had ruined the French competition, and at the Berlin Conference (1884-1885) Britain was given the task of administering the lower Niger. The British government was unwilling to spend money for such a purpose and in 1886 gave a royal charter to Goldie's company, which was renamed the Royal Niger Company.

By 1892 the company had established a complete monopoly of trade. The British government ignored the opposition this provoked because the company was expanding and establishing British territorial claims in Nigeria at no cost to the taxpayer. In 1895, however, a commission of inquiry investigated the company, and Joseph Chamberlain, the new colonial secretary, determined to take over Goldie's administration. This was delayed by struggles with the French on Northern Nigeria's frontiers, but eventually in 1900 the Protectorate of Northern Nigeria took over the company's administrative functions.

Thereafter Goldie played little part in public life, rejecting various offers of colonial governorships and turning down an offer to take control of the British South Africa Company after Cecil Rhodes's death. He died in London on Aug. 25, 1925.

Goldie destroyed his papers during World War I and never wrote his intended memoirs


Friday, 22 March 2013

Art: Out of Africa (TIME Magazine Monday, Sept. 04, 1950)




Modern artists from Picasso to Jacob Epstein have found inspiration in carved African idols, masks and fetishes. Last week a London gallery was showing the works of bearded Ben Enwonwu, an African carver who reversed the process.
Born 29 years ago in Nigeria, Enwonwu carved his own toys as a child. He was teaching art at 18, and five years later the
N'gerian government sent him abroad for further study. Since then he has won a Diploma of Fine Art from the University of London, has been made a fellow of the Royal Anthropological Institute, and has become more European than African in his approach to art.
Enwonwu's ancestors carved for magic purposes, not for exhibition. They gave force to their whittled gods by using many of the tricks of modern art: violent distortion of figures into angular cubistic shapes, mingling of naturalistic features with wholly abstract ones, the surrealist shock-value of giving vaguely human figures some of the attributes of animals and birds. The results struck at least one art historian, Roger Fry, as "great sculpture—greater, I believe, than any we have made . . ."
Enwonwu has broken from the faith of his fathers: like most European artists since the Renaissance, he works to express human emotions, not to hint at supernatural forces. Suffering, supplication, exuberance were typical themes of his London show—themes ill-suited to violent distortion. Enwonwu sometimes let the shape and grain of the wood guide his chisel, to produce partial abstractions that merely pleased the eye. "Sometimes," he told admirers at the show's opening, "I see the form in my mind and it grows and grows as I work. I am happy when I am hacking out; I never want to stop." Smoothing the thigh of his Dancing Figure with a pink-palmed hand, he sighed and added: "But when I must finish off my work, smooth the surface and polish—then I get bored. The creation is gone."
London Sunday Times Critic Eric Newton decided that "only when hand and chisel and imagination are in complete harmony can such confidence [as Enwonwu's] occur." If the'same harmony existed between his African heritage and his European training, Enwonwu's art might have had punch to match its polish.

R.I.P Professor Chinua Achebe

I have just heard about Professor Achebes passing and my prayers are with his loved ones at this time.

It all makes sense now, It is very clear !....In Chinua Achebes book 'There was a country' Achebe, lamented on the fact that his publishing company the Citadel Press had not published the manuscript given to him by Major Ifeajuna, on his account of the January 66 military coup. Achebe felt the account was highly exaggerated, but no doubt he regretted not publishing it- for one reason, by the end of the Nigerian Civil war the main plotters had been killed...and dead men can't talk.

The 82 year old knew his time was coming to an end and as an ultimate griot who new his duty to his people he knew he had to pass on his version of events.

Knowing what researchers of history face in our nations national archives he put into words what only he could, HIS OWN ACCOUNT of what he experienced - For posterity's sake !

National archives are meant to give us a glimpse of history and depending on the author of the document or the angle the photographer took, it will always be a VERSION that could be seen in so many different ways.

For all those who believed Professor Chinua Achebe's book 'There was a country' was personal (tribal) attack. It wasn't - it was his contribution to our deficient archival system.
He gave us his version of events and that's all he could have done FOR POSTERITY'S SAKE.

"Things fall apart" , "No Longer At Ease" "Arrow Of God" "Man Of The People" "Anthills Of The Savannah" books that take pride of place on my book shelf and has taught me so much about my heritage.

Thank you Sir. You have left a beautiful legacy.



- Posted using BlogPress from my iPad

Wednesday, 13 March 2013

Dr Nnamdi Azikiwe: What the British really thought of him and the issue of a Peerage.


Correspondences between Sir James Robertson and Sir Peter Alexander Clutterbuck 1960
 

 

Girl fattening in West Africa


I remember reading an article on the strange practice of force-feeding young girls as young as 5 in preparation for marriage. This cruel practice, known as girl fattenning is making a significant comeback in certain parts of Africa like rural Mauritania " A woman's size indicates the amount of space she occupies in her husband's heart,"hmmmm.....
Aminetou Mint Ely, a women's rights campaigner, said girls as young as five were still being subjected to the tradition of leblouh every year. The practice sees them tortured into swallowing gargantuan amounts of food and liquid - and consuming their vomit if they reject it.

Historians say the practice dates back to pre-colonial times when all Mauritania's white Moor Arabs were nomads. The richer the man, the less his wife would do - the preference being for her to sit still all day in her tent while her black slaves saw to household chores. Ancient Berber quatrains laud tebtath (stretchmarks) as jewels. Even today lekhwassar (fat around the waist) is given lyrical pride of place and girls sent for fattening gain the stature of mbelha. They are taught to sit in the lotus position, speak softly, use utensils and to emulate the exemplary lives of the Prophet Muhammad's wives. Fattening of girls is practised beyond Mauritania, in northern Mali and rural Niger - areas conquered, along with half of present-day Spain and Portugal, by the Almoravid dynasty in the 11th century. The practice of fattening also continues in Nigeria's Calabar state and north Cameroon.

Then I found this picture...

Wednesday, 6 March 2013

The Notorious Chief Nwiboko Obodo. Time Magazine Aug 04, 1958


NIGERIA: The Chief Says . . .

 

My facebook friend Ed Keazor posted this picture of a man called Chief Nwiboko Obodo. 
This 1958 picture shows the notorious Nwiboko Obodo (L) head of the Odozi Obodo cult in custody awaiting hanging. 
He was convicted of decapitating his wife with a bicycle chain. He was also suspected of at least 400 other murders. 
Below is the TIME magazine article on the case.


In the vast British tropical colony of Nigeria, the back-country people of the Eastern Region have long been a troublesome lot to officialdom. Mostly half-naked farmers, they take unusual delight in staging bloody campaigns against vaccinations, and in setting schools on fire. Each time the police must come in to restore order. But of all the assignments that the police have undertaken, none has produced such eerie results as the search of the house of Chief Nwiboko Obodo.
For months reports had poured in of a high homicide rate around the tiny town of Abakaliki, about 50 miles from the Eastern Region capital of Enugu. Men would go to their farms of a morning and simply disappear; women went to market and never came home. Police found evidence that since 1954 there had been more than 100 murders in Abakaliki. But it was not until they raided Chief Obodo's house that they found the reason why.
Inside, they discovered rope, leg irons, and swords, as well as an assortment of juju charms bearing the warning that all men and women in the 14 villages around "must respect me and do whatever I say." It soon turned out that the chief was a member of a secret cult that inappropriately bears the name of Odozi Obodo, the "Committee of the Peacemakers."
The most powerful arm of the society was a sort of Murder Inc. squad called Exepute, meaning "the Chief says . .." It was the Exepute that carried out the grisly justice of the society against anyone who balked at paying the "taxes" the chiefs whimsically imposed, or against those whom the chiefs merely disliked. For the chiefs, murder was also a lucrative business: by tradition, they inherit "all property of the dead, including wives and children.
Last week, while Chief Obodo languished in jail and his British counsel, Dingle Foot (brother of Cyprus Governor Sir Hugh Foot), prepared his defense, one of his sidekicks, Chief Idaka Igboji, faced trial for murder, along with ten accomplices. A steady stream of witnesses —those who dared talk—told tales of death by drowning or burying alive. Finally there unrolled the story of the specific murder in question—that of a farmer named Nwakriko Abam. Abam, according to prosecution testimony, had been invited around for drinks by some of the chief's men. Suddenly his hosts seized him and slowly strangled him with a chain. His body was then brought before Chief Igboji, dismembered, tied to the victim's own bicycle, and flung into the river. Abam's crime: he had had the temerity to campaign against the chief in the last local parliamentary election.
Source Time
Photo Source. Ed Keazor

Sunday, 24 February 2013

OMATSOLA: Broadcaster who announced Nigeria’s Independence in 1960, goes home (VANGUARD)



By Emmanuel Edukugho (Vanguard Newspaper)
HE was a renowned broadcaster with specialisation in news reading, became known and acknowledged all over this country throughout the 19 years of his career.
Sir Emmanuel Aghanjuebitsi Ewetan Omatsola (KSC, OON) hailed from the family of David Omatsola Usitara of Mereje town, in Okpe Local Government Area of Delta State. He was born in Forcados, in the old Western Region, now Delta State on January 29, 1930.
After his secondary education at Igbobi College, Yaba, Lagos (1945-1950), which at that time was the only English-Model Public School in Nigeria, he joined the teaching staff of his alma mater in January 1951. Two years after, he left the teaching job and went into broadcasting in the then Nigerian Broadcasting Service (NBS), now Federal Radio Corporation of Nigeria (FRCN), as a member of the pioneering staff. That was in 1953.
In the same year, according to his  biography obtained during the service of songs in his honour at his residence, Plot 121, 24th Street, DDPA Housing Estate, Ugborikoko, Effurun, near Warri, Delta State, Omatsola launched into news-casting as a news-reader.
Apart from his jobs of announcing, programme presentation and programme production, he also carved a niche for himself  as a Radio Outside Broadcast (OB) commentator on national events.
These occasions include Remembrance Day Services (November 11  every year) from the Anglican Christ Church Cathedral, Marina, Lagos, the visits of Queen Elizabeth II of England and Princess Anne to Nigeria, self-government celebrations in Kaduna and Enugu, the Independence Day on 1st October, 1960 and later when Nigeria became a Republic in 1963, replacing Queen Elizabeth II as Head of State with Dr. Nnamdi Azikiwe as President while Alhaji Abubakar Tafawa Balewa remained Prime Minister.
At midnight on the 30th of September 1960, Omatsola was the radio commentator from the Race Course in Lagos who announced to Nigeria and the whole world that “Nigeria is a free, sovereign nation,” graphically describing the ceremony of the lowering of the British Union Jack  flag and the hoisting (for the first time) of the Nigeria flag of Green, White, Green perpendicular section. The Nigerian National Anthem (Nigeria We Hail Thee), played by a Massed Band, was sung also for the first time.
Undoubtedly, he was chosen on merit for that historic and monumental assignment.
Before  this assignment, he had been prepared by his employers at the British Broadcasting Corporation (BBC) at its Overseas Service Headquarters at Bush House, London in 1959/1960, in time to return home for the approaching Nigerian Independence Day celebrations.
He spoke the first words, introduced the then Minister of Information, Hon. T.O.S. Benson, and read the first news bulletin on the Nigerian Television Service (now Nigeria Television Authority) in 1962 when the Federal Government introduced its own television service.
In April of that same year, Omatsola spoke the first words and read the first news bulletin when Voice of Nigeria, VON, the External Service of Radio Nigeria, was inaugurated. He rose through the ranks,  combining administrative positions and functions with his main professional duties.
He became Head of Presentation, VON (supervising the overseas broadcasting materials and output from the French, Swahili, Arabic and Hausa units).
During the Nigerian Civil War (Biafran War) (1967 to 1970), he was posted to head the Eastern Regional Service of Radio Nigeria at Enugu as Acting Controller. At cessation of hostilities, he supervised the three R’s (Reconciliation, Reconstruction and Rehabilitation) programme of the Federal Government for broadcasting colleagues and also produced and recorded the famous NO VICTOR, NO VANQUISHED broadcast by Mr. Ukpabi Asika, the then Administrator of Eastern Region to mark the surrender of Biafran forces.
The Voice of America (VOA) appointed him its stringer in Lagos for many years. On an American government scholarship, he attended Syracuse University, New York in 1962 to study mass communication with specialization in broadcasting.
Omatsola won one of his broadcasting “Caps” in 1979 when, even after he had left active broadcasting and gone into the Nigerian oil sector, he was chosen and invited by NTA to be the commentator at the ceremony at the Race Course, Lagos in which General Olusegun Obasanjo as military Head of State and his second in command, Major General Shehu Musa Yar’Adua, handed over the reins of government to democratically elected President Shehu Shagari and Vice President  Alex Ekwueme.
The ace broadcaster joined Gulf Oil Company of Nigeria Ltd and its successor Chevron Nigeria Ltd from 1971-1990 retiring as Public Affairs Manager in their field operations area which stretched from Edo State, Akwa Ibom State (the whole of the Niger Delta).
Omatsola was a foundation member of the Nigerian Union of Journalists (NUJ), Nigerian Institute of Public Relations (NIPR); got, in 1995, Delta State Government Merit Award (Excellence in Media), Veteran Broadcasting Award (National Broadcasting Commission in year 2000), Member and Life Master of Ceremonies, Warri Choral Society, Honorary Citizen and Goodwill Ambassador, City of Houston, USA, Anglican Knight of the Sacred Order of St. Christopher (KSC) and the Nigerian National Honour of Officer of the Order of Niger (OON).
Before his death in 2012, and since retiring from service, he kept up his interest zealously in his professions of broadcasting and public affairs, giving advice and guidance from time to time.
Among those who attended the service of songs on Thursday, January 31st,  2013 were Chief Edwin Clark;  the National Ijaw leader; movie star, Justus Esiri; Publisher Eddie Yekovie; Ms Alero Edukugho; colleagues in the media; captains of  oil industry; Anglican Church members; the cream of Delta  personalities; and members of  social and religious groups. He was laid to rest in Mereje.